Karen's Rants and Raves

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Wednesday 6 January 2010

Internships Everywhere!

War with Hello Kitty

In addition to being at war with Hello Kitty, apparently I am now also at war with every HR department in the world. To tell you the truth, it's been a cold war up until now anyway, and it's nice to get everything out in the open.

I'm getting sick of how the term 'internship' has become so broad in meaning that it now seems to cover everything from slave labor on up. I respect internships, I am in fact technically interning right now, but this is getting ridiculous.

Okay guys, I understand that you can get away with it- I understand how, in this day and age, you can get away with offering nothing but "experience", especially if you're a publishing house or magazine with a degree of name recognition, to people who aren't even necessarily college students- just people you don't want to have to pay. I can dislike it until the end of time, but hey, I understand.

But do you have to be so brazen in your claims that your interns will do the exact same work as your staff? Do you have to make it sound like working for free is a privilege, that people should be proud to merely have the opportunity to send their resumes to you? Why do you make it sound like I should be thanking you for offering to cover my metro card for transportation, like this bountiful gift should reduce me to tears, speechless in the vastness of your magnanimity? Why do you have to go on endlessly about how I must adapt to your "fast-paced, professional environment", when you're the one who needs to call in what's basically a slave laborer in order to meet deadlines? It sounds like if anything, it's you who needs my fast-paced, professional ability to get the work done that I signed up to do.

Then there are the internships with "stipends", where it's a paying job that they call an internship so they can get around the fact that they're paying less than minimum wage, but you know what? I'm not even complaining about that; more power to you, you guys. The situation seems to have gotten so bad that you have to give your respect to the people who still feel morally obligated to pay something, anything at all. Also, in those cases I've noticed that they usually don't make a huge deal out of the stipend in the listings, and instead just make it obvious that they respect your time enough to at least cover your transportation costs and maybe a cup of coffee.

And then, there are those few who offer paying internships that are actually right and proper paying internships, and then I have to wonder what they're doing in the internships section. Hey, you could get away with calling it a job at this point and move up in the world, you know? Sure, even the proper paid internship offers nothing that even vaguely resembles health coverage, but who expects that anywhere? I'm not crazy or anything.

Thursday 10 December 2009

Comics, Decisions, Decisions about comics

DJB treehouse mock-up

You may have noticed that, between the book talk and music essays and such, I try to blog about topics other than my personal dilemmas; I would hate to create the kind of self-indulgent blog that's of no use or interest to anyone but myself. That said, a personal blog is the place to put down some of your personal feelings and musings- especially for someone like me, who writes a lot but usually has to abide by certain topical constraints. This is the place where, instead of worrying if something is 'appropriate for the readership' or not, I can just jot down whatever. So I've decided that I won't hold back from strictly personal blogging on occasion, but I will tag it 'personal' and let readers decide to read it or dismiss it as they see fit.

The header image is a piece that I'm working on for Dark Juice Box, a project that has become problematic as of late. A few months ago, I had realized that just because ''Sterling'' is always going to be a sporadic comic, that doesn't mean that I'm strictly incapable of doing a regular webcomic. I look at something like XKCD, and think "you know, I could really do that." My MO has always been to attempt something incredibly ambitious and fail, rather than attempt something more feasible and succeed. It's just part of my nature to be that way, but enduring all the fail does get tiresome; nothing teaches you like failure, but it's not worthwhile if you can't turn those lessons into something better.

The idea behind DJB was that it was going to be a much easier comic to do than Sterling, and that updating it regularly would take priority over everything else, something I've never done before. I figured that if a page of DJB took me two or three hours as opposed to, oh, I don't know, twenty, updating two or three times a week really would not be a big deal at all. So I could do DJB, have the experience of doing a real and proper webcomic, and still keep plugging away on Sterling in the background like I always have.

This was all great in theory, especially because I'm a lot older now than when I started Sterling, and there are obvious advantages that come with that. However, the more I worked on DJB, the more I realized that I'd created a monster that didn't fit the format. Instead of a simplistically drawn webcomic, DJB would require lush, colorful images, more vivid than anything I've ever done with Sterling, and if anything, would be far more dependent on the art than Sterling. If you're curious about what this would look like, the whole "Northern Continent" sequence was kind of a test run for the art style in DJB.

So, what do I do now? I like what DJB is turning into, and I think it has serious potential- I always wanted to do a fantasy comic as a kid, and now it feels like I'm doing what I've always wanted to do. But I'm hardly giving up Sterling. Yet, I'm certainly not going to have two sporadically-updating, soul-sucking, time-devouring webcomics- that sounds like the surest recipe for going insane that I've ever heard. I could come up with something else as my "easy" webcomic project, but what, am I supposed to have THREE comics going on? In the midst of blogging, writing for newspapers, and other projects? More insanity. Oh, and did I mention that Sterling needs to be reformatted like a son-of-a-bitch? Forget even adding new art, all of it needs to be cleaned up, and the earlier pages need to be broken up into multiples for better readability. When I started doing webcomics, there really were very few standards for this kind of thing, but now there are, and webcomic readers expect certain things, with good reason. But how can doctoring up the archives take priority over updating new stuff?

Right now, I'm putting off making any decisions on any of this, and focusing on finishing a few projects that have been on the cusp of completion for a while- this includes things like my Nine Inch Nails series, my Parasite Eve series on Destructoid, and most importantly, Kids, Sterling Chapter Two. There are many possible solutions- one is to just save DJB for a couple of years from now when I finish Sterling, so I will actually have a plan for "life after Sterling." Another idea is to not even try to do DJB as a comic, but instead do it as something more like a light novel series with illustrations- that way, I can draw the kind of images that I feel are integral to telling the story, but I don't have to waste hours and hours drawing people doing mundane things like walking to school and opening doors. Both are decent ideas (and come to think of it, I can combine them for maximum effectiveness), but does that mean I'm never to have a real and proper webcomic? That just seems really disappointing somehow.

Anyway, after being on back-burner status ever since I started writing for Japanator, "Kids" is now front and center and will be concluding shortly. What's awesome is, I've drawn every background I need in this chapter already, so I can just borrow that stuff from my image library and focus on the stuff I actually want to draw. Bwah hahah, it's like hacking I tell you.

Saturday 5 December 2009

Narnia Whiplash!

Right after I posted that I had no problem with the Christian symbolism in Narnia, THIS had to go and happen. Don't read the rest of this entry if you haven't read Narnia and/or don't want it spoiled for you.

lalalalalalalalala handy spoiler avoidance space lalalalalalalalalala

Everybody dies. Everybody dies in a ridiculously contrived rail accident. I can accept the fact that it happened, but I take issue with the fact that absolutely every major human character was killed, even those who weren't on the train. Everybody dies, and we're supposed to think this is a good thing, because Narnia has now become heaven.

I would like to amend my statement from the last entry: I have no problem with the Christian symbolism in Narnia, until the end. Up until the end, you don't have to share Lewis' beliefs in order to enjoy the story; most of the Christian symbolism is used as a convenient framework, and the rest of it is all about trying to be a good person, something I have no trouble relating to. He crossed an extremely important line with the final plot twist, because if you don't share Lewis' belief in a happy, wonderful afterlife, what you have is an ending where all the characters that you care about die, some of whom are barely more than children.

It's not that I don't believe that the gang goes to Narnia: it's Lewis' world. What he says happens, happens. It's just that enjoying the ending is contingent on your belief that the characters aren't missing much by virtue of being dead, and I believe they are missing something; I believe it's a terrible waste.

While I'm not Christian, I don't take issue with most Christian beliefs- wow, so you should try to be a nice, forgiving person? You don't say! Probably the one aspect of the religion that I can't relate to is the belief that the afterlife is just so peachy-keen that we should all hurry up and die so we can get there. I'm sure many Christians don't interpret it that way, and see the concept of a pleasant afterlife as a kind of consolation prize, but in Lewis' interpretation, the attitude seems to be "Oh, so we're all dead? AWESOME!" I just cannot reconcile myself to that.

It would be completely different if Peter had died fighting in World War II or something and ended up in Narnia (hey, you could do a lot worse), but this is just disturbing. What's strange is that there is so much keen insight into religion and how people manipulate it in The Last Battle that this is the last thing I expected.

Okay, I have the answer: I do recommend Narnia. We're all just going to say "Yeah it was great, the ending was stupid but whatever," and leave it at that. I have such disdain for the concept of being keen on dying that I don't even want to give it any more attention than I already have.

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